[H953.Ebook] Free PDF Sweater Girls: 20 Patterns for Starlet Sweaters, Retro Wraps, and Glamour Knits, by Madeline Weston, Rita Taylor

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Here are 20 patterns for a wardrobe of gorgeous knitwear--based on the original styles worn by such starlets as Jayne Mansfield, Bette Davis, and Greta Garbo, and by fashionable leading ladies from Wallis Simpson to Grace Kelly. This collection of must-have garments and accessories offers beautiful, classic patterns for knitting sweaters, cardigans and twinsets, plus sleek wraps and stoles that never go out of style. The patterns have been updated and adapted for use with modern yarns in wool, cotton, silk, and other blends.

• Sales Rank: #1149510 in Books
• Published on: 2013-01-02
• Original language: English
• Number of items: 1
• Dimensions: 9.85" h x .55" w x 8.37" l,
• Binding: Paperback
• 144 pages

About the Author
Madeline Weston and her partner opened their shop The Scottish Merchant in Covent Garden in 1970, and for 20 years it was known as "the" place in London for buying beautifully made, authentic garments sourced from all parts of the British Isles. An expert in traditional knitting patterns, Madeline is the author of two previous books: "Country Weekend Knits" and "Country Weekend Socks."
Rita Taylor has been a keen knitter since childhood, with a particular interest in traditional Scottish knits, especially Fair Isle and fishermen's knits. She now manages the Gansey and the Period Garment Schemes for the UK Knitting & Crochet Guild and is involved with the re-creation of ganseys for the Moray Firth Partnership. She is the author of "Knitting; 200 Questions and Answers "and the designer of many garments in 1930s and 1940s styles for period dramas in both theater and film.

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10 of 11 people found the following review helpful.
Lovely Collection of Updated Patterns From the 1930s, 1940s, and 1950s
By Lynne E.
SWEATER GIRLS is a lovely collection of classic designs from the 1930s, 1940s, and 1950s--all updated by two well-known designers, Weston and Taylor--that use currently available yarns and are sized for today's women. The patterns are divided into four types: pretty tops (7 designs), cute cardigans (4), starlet sweaters (6), twinsets & two-pieces (3), and finishing touches (4). The four "finishing touches" are a thick lace stole, a Fair Isle beret, lace stockings, and lace wrist warmers. The modern yarns used include merino, angora, cotton, bamboo, cashmere, alpaca, and silk--some of them suitably glamorous for the movie-star-inspired designs.

My favorite design is the "Wallis pleated cardigan", with wide ribbed waist (to the bust line), ribbed shoulders, gathers at the bust, narrow roll collar, and button-front. This style is flattering to most figures, and so versatile it can be worn with almost anything. I also love the "Ava angora bolero", a fuzzy angora shrug with curved fronts and a beaded band of ribbing.

Many of the patterns will probably look best on full-figured women (like the "sweater girls" who inspired the designs). However, in addition to "Wallis", the demure and alluring "Kate lace-panel blouse", with its short sleeves and scoop neckline and openwork fabric, should look great on anyone.

If you're looking for elegance, you will probably love the "Natalie feather-stitch sweater", a long-sleeve pullover with a round scoop neck and allover vertical rows of feather stitch. A tailored look can be had with the "Celia Lacy Fine-Knit Twinset", comprised of a short-sleeved pullover with a stylized panel of chevrons, and a v-neck cardigan that uses the same chevron pattern in a band along the fronts and around the neckline.

There isn't a single pattern in this book that I wouldn't want to knit! (Of course, I really love the "vintage" look in knitting patterns.) Most of the designs call for fine yarn, knitted on US 2 or US 3 needles, and for shaping. These designs require patience--they'll take a while to knit because of the fine yarns used--but I think they can be knit by adventurous intermediate as well as advanced knitters. There are many full-color photos of the sweaters, usually shown on models in luxurious surroundings but sometimes shown on hangers as well.

If you love vintage knitting patterns, and have some old patterns that you'd like to adapt for yourself, then you might also be interested in Vintage Design Workshop: Knitting Techniques for Modern Style. I like SWEATER GIRLS better, because the authors have already done all the work of updating these fabulous classic patterns for us knitters.

2 of 2 people found the following review helpful.
Nice patterns - but no schematics!
By Obsessed Knitter
The directions are clear. I like how the looks were updated. The big drawback is that the sizes are stated: To fit rather than giving the actual dimensions of the finished garment. A schematic of the garments would be helpful as the measurements provided in minimal - length to back neck and Underarm sleeve length - hardly adequate. Now I have to do the simple calculations based on the given gauge and draw my own schematic so I can make the appropriate adjustments to get a garment that fits me.

1 of 1 people found the following review helpful.
cute
By laurie
cute patterns and the instructions are clear. I've made a couple of the sweaters. its true that they aren't for plus sizes, just for standard S/M/L sizes. one cardigan is even just a one size fits all pattern. The book doesn't hide that fact though, and is pretty clear in the intro about taking the old one-size patterns and making them sized for "modern women", which they don't indicate necessarily means plus sized. I like that its a flexible paperback with a sturdy cover, with flaps on both covers so you can use them as book marks. The patterns aren't for a beginner, since they use lace techniques etc however if you're an ambitious beginner you could use these patterns as a way of learning as you go. the pictures are fantastic. I love that they cover the spectrum of different types and brands of yarn they use.

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[G611.Ebook] Ebook Download The Year of Magical Thinking, by Joan Didion

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From one of America’s iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage–and a life, in good times and bad–that will speak to anyone who has ever loved a husband or wife or child.

Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later–the night before New Year’s Eve–the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma.

This powerful book is Didion’s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness . . . about marriage and children and memory . . . about the shallowness of sanity, about life itself.”

• Sales Rank: #64408 in Books
• Brand: Alfred A. Knopf
• Published on: 2005-10-04
• Released on: 2005-10-04
• Format: Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .90" w x 5.50" l, .83 pounds
• Binding: Hardcover
• 227 pages

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• Great product!

From Publishers Weekly
Starred Review. Many will greet this taut, clear-eyed memoir of grief as a long-awaited return to the terrain of Didion's venerated, increasingly rare personal essays. The author of Slouching Towards Bethlehem and 11 other works chronicles the year following the death of her husband, fellow writer John Gregory Dunne, from a massive heart attack on December 30, 2003, while the couple's only daughter, Quintana, lay unconscious in a nearby hospital suffering from pneumonia and septic shock. Dunne and Didion had lived and worked side by side for nearly 40 years, and Dunne's death propelled Didion into a state she calls "magical thinking." "We might expect that we will be prostrate, inconsolable, crazy with loss," she writes. "We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes." Didion's mourning follows a traditional arc—she describes just how precisely it cleaves to the medical descriptions of grief—but her elegant rendition of its stages leads to hard-won insight, particularly into the aftereffects of marriage. "Marriage is not only time: it is also, paradoxically, the denial of time. For forty years I saw myself through John's eyes. I did not age." In a sense, all of Didion's fiction, with its themes of loss and bereavement, served as preparation for the writing of this memoir, and there is occasionally a curious hint of repetition, despite the immediacy and intimacy of the subject matter. Still, this is an indispensable addition to Didion's body of work and a lyrical, disciplined entry in the annals of mourning literature.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Didion's husband, the writer John Gregory Dunne, died of a heart attack, just after they had returned from the hospital where their only child, Quintana, was lying in a coma. This book is a memoir of Dunne's death, Quintana's illness, and Didion's efforts to make sense of a time when nothing made sense. "She's a pretty cool customer," one hospital worker says of her, and, certainly, coolness was always part of the addictive appeal of Didion's writing. The other part was the dark side of cool, the hyper-nervous awareness of the tendency of things to go bad. In 2004, Didion had her own disasters to deal with, and she did not, she feels, deal with them coolly, or even sanely. This book is about getting a grip and getting on; it's also a tribute to an extraordinary marriage.
Copyright © 2005 The New Yorker

From Bookmarks Magazine
The Year of Magical Thinking is a searing portrayal of personal grief, a vividly documented case study in mourning rather than the kind of modern exercise in self-therapy that, however well-intentioned, is laced with narcissism. As a writer Didion has often demonstrated a keen eye for the loose threads that, when tugged, unravel human lives and institutions. Critics were deeply moved as Didion turns her lens inward to examine her own emotional disintegration, free of clichés and tidy, little life lessons. It is the book’s raw honesty and Didion’s meticulous reporting and research that allow her memoir to transcend the merely personal and become a universal road map of loss.

Copyright © 2004 Phillips & Nelson Media, Inc.

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739 of 772 people found the following review helpful.
Deserves to become a classic memoir about grief and loss
By Kcorn
I stayed up almost all might just to finish reading it, unable to put this down, although I confess I had to keep a box of tissues nearby. I've lost 5 people in the last few years and, just recently, another friend and so I related very strongly to this book.

Didion's unflinching account of the sudden loss of her husband (which occurred while their only child was in a coma in a hospital (!)) deserves to be a classic in the genre of books written by and for those who are grieving. It is hard to find books like this, which are both honest but not overly sentimental, not resorting to the tropes which seem to surround death. She doesn't offer vague platitudes or advice. She simply relates her very personal experience, including the inevitable vulnerability, unexpected moments of being blindsided by memories and sudden tears, etc.

She covers all the bases, including the kind of insanity that can seize one in the throes of grief, those moments when you forget the person is actually dead, when you turn to speak to him or her as you normally would at a certain part of the day or reach for the phone to share the latest news.

The book is raw. If you're looking for religous or spiritual guidance and inspiration, this is not the book for you. As Didion herself noted, writing about the book recently, it was intentionally written "raw". I assume she didn't want to wait, to distance herself from the intensity of the experience as she wrote it down, quite unlike many other books she has written. Raw or not, it wasn't sloppy, overly sentimental or complete despairing.

It was simply honest, heartwrenchingly so, and Didion doesn't deviate from communicating, in absolute striking detail, the sense of alienation and disorientation that separates mourners from those who seem to be living "normal" lives. Grief is its own territory, separate from so-called normalcy. In so many ways, it is an illness, an affliction of the spirit and not one that can be cured in any one way.

An aside- the photo of Didion inside the dustjacket is haunting. No question that those are the eyes of someone who has been scraped to the core, wounded and, presumably, still recovering. There is something beautiful in that portrait and, oddly, comforting. It is the face of a survivor, however hard it might be to live as one.

This book will remain on my bookshelf and I expect I'll be thumbing through it for solace time and again. Reading it was both painful and cathartic and strangely comforting, with an intensity that left me awestruck. I am still amazed that she was able to produce such a beautifully written book in the throes of so much pain.

520 of 549 people found the following review helpful.
Don't hate me, but
By J. R. SOUTH
I'm not 100% sure why I bought this book. Certainly, the extremely generous reviews were a big push, as much as the fact that I recognize that Joan Didion is a superb writer. Maybe more than that, because I lost my mother and my grandmother within a very short span of time, and they lost their brother/son, then father/husband, in an even briefer time period. For awhile, "Magical Thinking" enthralled me with Didion's honesty and brutal detail. It even gave me nightmares, which I'm sure was not the author's intention, but that's how effective the writing is.

Part of Joan Didion's truthfulness is in dealing with her own avoidance of grief, and the extent to which an extremely intelligent, ever-thinking person will go to escape facing pain. But halfway through this short book, only 105 pages from the end, I almost gave it up, and I'm not sure I'm glad that I didn't. The endless facts, medical explanations, and most of all, Joan's continuous detachment from any emotion, left me feeling beat up and worn down. Yes, it even annoyed me a little. I give her all the credit in the world for approaching her task. Her love for her husband and daughter is extraordinarily apparent by the picture she paints of them, but she still comes through as only an observer. "The Year of Magical Thinking" is written in the first person, but not for a split second do we get a glimpse of any sensitivity coming from her. She only looks, thinks, and writes. But who is Joan, and what is going on inside her? Anything at all??

Buddhists have a valuable outlook on death. They meditate on it regularly, often among the bodies of the departed. Not viewed as morbid or surprising, death informs them how to appreciate life. In the West, we are always stunned by death, and instead of being always ready to accept it, by being kind to one another, knowing how quickly and unexpectedly a lifetime ends, we spend all our energy denying its existence, even after we've lost someone we love. And now we have a bestseller that tells all, except that it's normal and right to feel the pain.

Whatever else this book might be, it is definitely NOT a thesis on how best to deal with death and tragedy. And despite all the praise, "Magical Thinking" will not be everyone's cup of tea.

631 of 694 people found the following review helpful.
The Magical Thinking of Denial
By prisrob
"Grief is a multi-faceted response to loss. Although conventionaly focused on the emotional response to loss, it also has a physical, cognitive, behavioural, social and philosophical dimensions." Wikipedia

Joan Didion starts her book:
"Life changes fast
Life changes in an instant
You sit down to dinner and life as you know it ends."

On December 30, 2003 Joan and her husband, John Gregory Dunne were just sitting down to dinner about 9pm. They had returned from visiting their daughter, Quintana, who was comatose in an ICU in New York City. They were having a conversation as Joan put dinner on the table. She looked up, it was very quiet, John was not responding. He was slumped over the table with his hand raised. She realized all was not well, and in that instant her life changed. An ambulance was called; the trip to the Emergency Department, the meeting with the doctor, massive heart attack mentioned, and she knew her husband was dead. She returned home alone, did a few chores and went to bed and slept soundly. She awakened and realized something was wrong, and her first taste of grief descended.

Joan Didion has written a devastating story of her first year after the death of her husband, and the grief that enveloped her. She writes as she thought, and the story is laid out in detail as it happened and in her own words. She has friends and family but John isn't there. She talked to him every day for the forty years they were married. They talked constantly and were with each other all the time. Even though conventional wisdom has it that absence makes the heart grow fonder. She remembers thinking "there is no one to hear the news, no where to go with the unmade plan, the uncompleted thought. There is no one to agree, disagree, talk back". Life changes in an instant. There is no place on earth to go where there is no memory. She kept expecting him to come back. She couldn't get rid of his shoes, because he needed shoes to come back. She knew this thought was irrational, but it kept her going.

She kept busy helping her daughter and son-in-law put their life back together, and then it comes apart when Quintana becomes ill again. There is much to do, much to read about Quintana's illness, much to discuss with the hospital staff that look at her strangely when she discusses edema and too much "fluid overload". She immerses herself in the language of medicine, and it keeps her busy for a while. She tried new projects, nothing really works except time, but she still keeps expecting John to come home. He never does. She remembers all the little things he said about his life. He told her they had to go to Paris that November because he might never have the chance again. He was right. He was frequently right. And, oh, she misses him, she always will. Magnificent story of the year in the life of grief. Highly recommended. prisrob

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Includes: Pamela
* You Got Me
* Straight from the Heart
* Only the Children and others.

• Sales Rank: #9262517 in Books
• Model: 00-VF1463
• Published on: 1988-07-01
• Original language: English
• Binding: Paperback
• 64 pages

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[N455.Ebook] Download PDF The Eight Core Principles, by Richard Rohr

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The Eight Core Principles, by Richard Rohr

Download PDF The Eight Core Principles, by Richard Rohr

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In this booklet, Richard Rohr explains the prophetic principles that provide
the foundation for his teachings, for the Work of the Rohr Institute, and for the Living School for Action and Contemplation

• Sales Rank: #179559 in eBooks
• Published on: 2013-03-27
• Released on: 2013-03-27
• Format: Kindle eBook

Most helpful customer reviews

17 of 17 people found the following review helpful.
Powerful Truth
By Juristsomeday
Short, but insightful and full of impact. Rohr posits powerful--and if you let it--life changing truth. The Eight Core Principles is not just a one time read; you'll want to revisit the book from time to time when you think your life is being driven by your ego rather than your "True Self".

You might also want to pick up Rohr's Immortal Diamond, which I'm reading now. It builds on the Eight Core Principles for a truly transformative experience. While the Eight Core Principles enlightens the mind, the Immortal Diamond enlivens the soul; we need both.

10 of 10 people found the following review helpful.
He shares it all, he holds nothing back!
By John Rierson
I follow Richard Rohr's "Daily Meditations". He attracts and holds a massive audience and the "Eight Core Principles" gives us the secret of his success and how, we too, may develop, and maintain our authenticity and potency over the years.
John Rierson, an appreciative follower of RR

3 of 3 people found the following review helpful.
Solid Spiritual Guidance
By Dean K
The Eight Core Principles is an excellent introduction to Richard Rohr's teaching and writings. I used it as a devotional, studing each of the principles at a time. I recommend his book to Christians and Spiritual seekers.

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[A339.Ebook] Download Ebook Global Mental Health: Principles and Practice

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• Published on: 1600
• Binding: Paperback

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[G653.Ebook] Get Free Ebook Amy's View: A Play in Four Acts, by David Hare

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This BBC Radio 4 full-cast production from 2000 stars many of the original West End and Broadway stage cast: Judi Dench, Samantha Bond, Ronald Pickup, and Joyce Redman, with Christopher Hanson. Written for the stage by David Hare, the play centers on fading actress Esme and her relationship with her daughter and son-in-law over a period of 15 years. It was acclaimed on its original London and Broadway runs, and was successfully revived in 2006.

• Sales Rank: #5582977 in Books
• Brand: Brand: Samuel French Inc Plays
• Published on: 1999-10
• Original language: English
• Number of items: 1
• Binding: Paperback
• 117 pages

Features

• Used Book in Good Condition

Review

“David Hare's masterpiece.” ―Daily Mail

“A diffuse, incisive, funny, moving, difficult, fascinating play...A major dramatist has written a strong, rich play.” ―The Times

“Above all else, Amy's View offers the sheer exhilaration of watching a major dramatist writing for the theatre he loves at the very height of his powers.” ―Daily Express

About the Author

David Hare was born in Sussex, England in 1947. His first play, Slag, was produced in 1970. His other works include Plenty (1978), A Map of the World (1983), and Pravda (1985). A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967–71), and at the Nottingham Playhouse (1973). Until recently, Hare served as director of the National Theatre, London. In 1982, Hare founded a film company, Greenpoint Films. He has written several screenplays including Plenty (1985), Weatherby (1985), Strapless (1989), and Damage (1992). Several of his best-known plays, The Secret Rapture, Racing Demon, Skylight, The Judas Kiss, Via Dolorosa and Amy's View have been presented on Broadway.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Five Stars
By LLJAM
great play, fun read. Many monologues.

7 of 7 people found the following review helpful.
David Hare's second--and best--Jim and Tim play.
By A Customer
Hare refers to the chamber pieces written after his monumental trilogy as "Jim and Tim" plays--theatre with few techincal marvels, conflicts based on personal relationships and not external struggles, and, most importantly, a sense of character specificity not found in the archetypes of Susan Traherne and Isobel Glass. "Amy's View" is his second of these smaller plays, and it is the best of the three he has written so far.
As in his first Jim and Tim play, "Skylight", the characters are not politicians and public figures but ordinary Britons with neighbors, lovers and family. But unlike "Skylight", which examined only one theme, "Amy's View" uses its smallness to raise big issues. The piece is a play about grief and happiness, familial relations, and the price of compassion. It's about the role of the theatre, both as an artform and in modern life. It's about having money and not wanting it, wanting money and not having it, and the ultimate inability to know your life.
And, of course, the play resonates with Hare's exquisite dialogue, making "Amy's View" a masterpiece of langauge and well as of stagecraft. It is without question Hare's greatest chamber play, and in parts it even reaches the heights of his two seminal works, "Plenty" and "The Secret Rapture".

8 of 8 people found the following review helpful.
Love, betrayal, and the theatre all come together
By Randy Rousseau
David Hare's Amy's View is a startling new play. Rich, funny, sad, absurd, and thought-provoking, Amy's View leaves the reader or audience member clamoring for more. Hare presents fascinating characters in Esme Allen, a famous West End actress; her daughter Amy, who's famous "view" is that love conquers all; her boyfriend and soon to be husband Dominic, a cultural monolith; and Frank, a devoted companion of Esme's who's actions have devastating consequences in all of their lives. This play meshes love and betrayal with the question of whether the theatre is relevant in society anymore. The reader will be astonished. But being lucky enough to see this play performed on Broadway with Judi Dench as Esme, I love this play that much more.

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